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    <loc>https://www.scholarsdn.com/blog</loc>
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    <lastmod>2026-06-09</lastmod>
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  <url>
    <loc>https://www.scholarsdn.com/blog/keep-going-wingate-vocation-and-the-education-that-refuses-to-let-go</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-06-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/a2c6f987-d625-4537-a4d7-0408b16f0357/CleanShot+2026-06-08+at+22.18.12%402x.png</image:loc>
      <image:title>Blog - KEEP GOING: WINGATE, VOCATION, AND THE EDUCATION THAT REFUSES TO LET GO - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.scholarsdn.com/blog/the-gospel-according-to-kerlix-a-small-meditation-on-gauze-grace-and-the-bubble-gum-machine-of-providence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-06-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/5320bfb2-f5d7-45e8-b7ff-6c1722ab87f5/_MG_2191_DxO.jpg</image:loc>
      <image:title>Blog - The Gospel According to Kerlix: A Small Meditation on Gauze, Grace, and the Bubble-Gum Machine of Providence - Make it stand out</image:title>
      <image:caption>Photo caption: “Gauze in the bubble-gum machine: because apparently even wound care has developed a taste for irony.” © CC BY-NC-ND Ron Stafford</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/hooked-up-to-grace-what-iv-antibiotics-taught-me-about-god</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/4e771669-f085-4d55-b5d8-a9054f374d0a/681437357_3115585835296139_302750786975548403_n.jpg</image:loc>
      <image:title>Blog - Hooked Up to Grace: What IV Antibiotics Taught Me About God - Make it stand out</image:title>
      <image:caption>Antibiotics are hard on the body, and this bruise is proof of what IV vancomycin did to my vein after days of treatment. It hurt, it burned, and it left a mark, but it was part of the fight to stop a four-bacteria infection and save my foot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/vissi-darte-a-flower-on-stone-and-the-stubbornness-of-beauty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/357e0db6-eb67-470e-9295-d8e511ddb56f/488673453_2745076985680361_1167474536459952574_n.jpg</image:loc>
      <image:title>Blog - Vissi d’arte: A Flower on Stone and the Stubbornness of Beauty - Make it stand out</image:title>
      <image:caption>A flower on stone: fragile, stubborn, and entirely unwilling to let hardness have the final word.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/brilliant-wounded-becoming</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/47cc9d35-fad1-4c75-bbfb-25b9faa4fc1d/image.png</image:loc>
      <image:title>Blog - Brilliant. Wounded. Becoming. - Make it stand out</image:title>
      <image:caption>The monk, the cell, and the cat. For me, the monk represents the part of my soul that still seeks silence, prayer, study, and meaning. The cell is not a prison, but a sacred room — the quiet place where healing, thought, and becoming happen. And the cat? The cat is holy mischief: comfort, curiosity, and a reminder that even the most serious spiritual life needs a little sass.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/the-monk-in-the-window-education-faith-wi-fi-and-the-freedom-of-my-mind</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/0ac27d14-ce5c-458e-b250-56264947c23c/IMG_7955_DxO-Edit.jpg</image:loc>
      <image:title>Blog - The Monk in the Window: Education, Faith, Wi-Fi, and the Freedom of My Mind - Make it stand out</image:title>
      <image:caption>A monk, a book, and a little light—basically my whole personality in one photo. Faith, learning, libraries, and the stubborn freedom of the mind. Photo by Ron Stafford</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/dante-from-bedrest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/2e28aa6b-9913-4ffc-b143-57a5391a487a/_MG_2182_DxO.jpg</image:loc>
      <image:title>Blog - Dante from Bedrest - Make it stand out</image:title>
      <image:caption>I took this photo while lying in bed, under strict bedrest, with Dante watching over the room like an old friend and spiritual troublemaker. This painting reminds me that healing is its own pilgrimage—and even when the body must be still, the soul can keep moving toward beauty, grace, and whatever comes next.</image:caption>
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  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/scluv8hq3t9pvzfy19yormms2kd29a</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/cc75fa03-13e7-4d90-9e16-652aac46cd25/IMG_3251_DxO-Edit.jpg</image:loc>
      <image:title>Blog - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/43780ee2-52d3-4723-8609-181aa378a5cf/_MG_2149_DxO-Edit.jpg</image:loc>
      <image:title>Blog - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.scholarsdn.com/blog/all-aboard-the-turner-express-rain-steam-and-the-holy-audacity-of-becoming</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/51d87b79-b223-4b50-8664-a6767e0445fb/Turner_-_Rain%2C_Steam_and_Speed_-_National_Gallery_file.jpg</image:loc>
      <image:title>Blog - All Aboard the Turner Express: Rain, Steam, and the Holy Audacity of Becoming - Make it stand out</image:title>
      <image:caption>My ALL TIME FAVOURITE painting, Turner’s Rain, Steam and Speed, reminds me that life is rarely black and white. It is rain, light, steam, motion, fear, beauty, and becoming—all rushing toward what could be. Like Turner, I see the world not only as it is, but as it is still becoming. The train is coming, the future is moving, and grace is somewhere in the mist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/the-monastery-in-my-mind-and-the-gravity-i-refuse-to-obey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/df81f34b-08ff-4a0e-9c74-9f801bf6fa36/515442093_2888658404655551_6181706785323420170_n-2.jpg</image:loc>
      <image:title>Blog - The Monastery in My Mind and the Gravity I Refuse to Obey - Make it stand out</image:title>
      <image:caption>Delivering the homily — standing in that sacred space between study, prayer, humor, and hope. A reminder that the quiet cell of the soul is not an escape from service, but the place where service is strengthened. Photo by Van Pate.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/downtown-in-the-oxygen-tube-fear-faith-and-healing-under-pressure</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/cc75fa03-13e7-4d90-9e16-652aac46cd25/IMG_3251_DxO-Edit.jpg</image:loc>
      <image:title>Blog - Downtown in the Oxygen Tube: Fear, Faith, and Healing Under Pressure - Make it stand out</image:title>
      <image:caption>The chamber I feared became the place I found peace. Today’s view: metal, acrylic, oxygen, prayer, and the strange grace of discovering I can do hard things. Photo by Ron Stafford.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/glass-remembers-the-fire-so-do-i</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/43780ee2-52d3-4723-8609-181aa378a5cf/_MG_2149_DxO-Edit.jpg</image:loc>
      <image:title>Blog - Glass remembers the fire. So do I. - Make it stand out</image:title>
      <image:caption>I took this photo of glass remembering the fire, while still learning how to hold the light. Remolded, re-fired, and still becoming.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/faith-place-and-the-religious-imagination-of-south-carolina</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/a26aa484-cfe0-4f9e-87c7-fa9cfe9cd7db/41713466_941651569356254_835673783942512640_n.jpg</image:loc>
      <image:title>Blog - Faith, Place, and the Religious Imagination of South Carolina - Make it stand out</image:title>
      <image:caption>Old Sheldon Church Ruins, near Beaufort, South Carolina There are some ruins that do not feel empty. Old Sheldon Church is one of them. Originally known as Prince William’s Parish Church, Sheldon was built between 1745 and 1753 in what historians describe as one of the earliest American attempts to imitate the form of a classical Greek temple. Set among live oaks and old graves, the remaining brick walls and columns still carry the authority of the colonial Anglican world that shaped so much of early South Carolina religious life. The church was burned by British troops in 1779 during the Revolutionary War, rebuilt in 1826, and later damaged again during the Civil War. The old tablet at the site records that it was burned by Federal forces in 1865, though later scholarship notes some debate about whether the church was fully burned or stripped for materials after the war. That tension is part of what makes this place so powerful. Sheldon is not simply picturesque. It is a sacred ruin—colonial, Anglican, Southern, wounded, and still standing. In the broken arches and roofless nave, you can see how faith, empire, war, memory, and beauty all meet in the South Carolina Lowcountry. Photograph by Ron Stafford.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/ad8bff84-3808-4896-8f22-1ed1672d44ee/548483444_2907575922763799_901206549257411939_n.jpg</image:loc>
      <image:title>Blog - Faith, Place, and the Religious Imagination of South Carolina - Make it stand out</image:title>
      <image:caption>Pulpit, Old St. David’s Church, Cheraw, South Carolina There is something powerful about looking up from the pews at Old St. David’s and seeing the pulpit not simply as furniture, but as witness. From this place, Scripture, prayer, warning, comfort, and community memory have been spoken across generations. In the geometry of the woodwork and the quiet authority of the space, I see the Anglican inheritance of colonial South Carolina, but I also see something more personal: the way faith becomes rooted in place. Old St. David’s was built at the edge of empire and revolution, under the last years of British authority in South Carolina. Yet what remains for me is not only the history of Crown and colony. It is the living memory of a church that still gathers, still speaks, and still reminds us that sacred places hold more than architecture. They hold the prayers of those who came before us. Photograph by Ron Stafford.</image:caption>
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  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/la-commedia-finita-when-god-finally-stops-laughing-at-my-plans</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/476d47ec-f7dd-4ce8-9890-c9d4fa702dd8/Leoncavallo_-_Pagliacci%2C_act_II_-_Name_him%2C_or_else_I%27ll_kill_you_-_The_Victrola_book_of_the_opera.jpg</image:loc>
      <image:title>Blog - La Commedia è Finita: When God Finally Stops Laughing at My Plans - Make it stand out</image:title>
      <image:caption>In this dramatic Act II scene from Leoncavallo’s Pagliacci, Canio demands the truth from Nedda: “Name him, or else I’ll kill you!” It is a perfect image for the moment when the mask finally slips, the comedy collapses, and all our carefully staged plans meet reality. For me, it also speaks to the spiritual truth I keep learning the hard way: we can perform control for only so long before God gently, and sometimes not so gently, reminds us who actually directs the drama.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/what-the-doctorate-refined-art-restored</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/30b5b6d1-cbaa-4518-95ee-3eb1fe9f8c7f/497465455_2784382368416489_4931218041672501076_n.jpg</image:loc>
      <image:title>Blog - What the Doctorate Refined, Art Restored - Make it stand out</image:title>
      <image:caption>Power has always known the value of a good portrait. Here, King George III and Queen Charlotte stand framed in the visual language of empire: velvet, ermine, columns, crowns, and the carefully staged performance of monarchy. Painted by Allan Ramsay and displayed at The Mint Museum in Charlotte, NC, these portraits remind us that art has never been merely decorative. It preserves authority, constructs identity, and invites us to look again at the complicated relationship between beauty, history, and power.</image:caption>
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  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/learning-to-stop-telling-god-the-plan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/4dbb638a-8edc-4986-9fce-d0cee9e8d162/_MG_2139_DxO-1-Edit.jpg</image:loc>
      <image:title>Blog - Learning to Stop Telling God the Plan - Make it stand out</image:title>
      <image:caption>Dante Is Not Amused There are moments in life when Dante feels less like a poet from the past and more like a witness sitting quietly in the corner, watching us stumble through our own dark wood. This image feels right for my current season. Stern. Searching. A little unforgiving. Dante understood that the soul rarely finds its way by comfort alone. In The Divine Comedy, the journey begins in confusion, loss, and fear—but it does not end there. The path through darkness becomes the path toward grace. Lately, I have been thinking about the difference between asking God to bless the road I have already chosen and stopping long enough to ask where God is actually leading me. That is not an easy realization. It is humbling. It is uncomfortable. It is, in its own way, purgative. Dante is not amused—and perhaps that is the point. Sometimes the sternest faces are the ones reminding us to stop pretending we are in control, to listen more carefully, and to trust that even the dark wood may become holy ground. Photo: Dante Alighieri, photographed by Ron Stafford.</image:caption>
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  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/intellectualism-faith-facade-beautiful-wounded-complicated-and-still-speaking</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/5fde21e7-58fa-4ae1-b95c-9dfd04a70ba1/474683665_2682679885253405_6198792949234205557_n.jpg</image:loc>
      <image:title>Blog - INTELLECTUALISM - FAITH - FACADE: BEAUTIFUL, WOUNDED, COMPLICATED, AND STILL SPEAKING. - Make it stand out</image:title>
      <image:caption>Facade of the Williams Building, former site of the South Carolina Lunatic Asylum / South Carolina State Hospital, Columbia, South Carolina. This photograph holds the tension I often feel when standing before Southern ruins: beauty and burden occupying the same space. The Williams Building facade is not just architecture; it is a remnant of a complicated institutional past. It asks us to look carefully at what the South built, what it preserved, what it neglected, and who was held inside its walls. For me, this is where history, faith, and the humanities meet—not in easy nostalgia, but in the harder work of memory, mercy, and moral attention.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/d690ec87-1b5a-4d4b-8923-9f15f908ea6b/469406555_2645001445687916_9104537936240525708_n.jpg</image:loc>
      <image:title>Blog - INTELLECTUALISM - FAITH - FACADE: BEAUTIFUL, WOUNDED, COMPLICATED, AND STILL SPEAKING. - Make it stand out</image:title>
      <image:caption>Babcock Building, rear view, former South Carolina State Hospital campus, Columbia, South Carolina. From behind, the Babcock Building tells a different story than the formal domed entrance shown to the public. This is not the polished face of institutional authority, but the quieter, more private world where patients lived much of their daily reality. The rear facade reminds us that history often has two entrances: the one designed to impress outsiders, and the one that holds the more complicated truth. Here, Southern architecture becomes more than beauty. It becomes evidence—of care, confinement, separation, and the lives lived beyond public view.</image:caption>
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  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/the-ground-that-made-me-faith-place-and-the-southern-intellectual-tradition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/7265bcb6-a81e-4c93-940b-031000c0c305/485130512_2728752917312768_382888633606186949_n_DxO.jpg</image:loc>
      <image:title>Blog - The Ground That Made Me: Faith, Place, and the Southern Intellectual Tradition - Make it stand out</image:title>
      <image:caption>Detail of the ceiling at Drayton Hall in Charleston, South Carolina. This is the kind of image that reminds me why place matters. The South holds its history in surfaces — in plaster, wood, shadow, ornament, beauty, and decay. My photography is often an attempt to listen to what these old spaces are still saying. Like the Southern intellectual tradition that shaped me, this ceiling is not just decoration. It is memory made visible: faith, history, labor, survival, and beauty all held in one frame.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/32654cfb-a663-4aa4-9d04-2b32c86102b0/608845856_3008240292697361_7954420974892803667_n_DxO.jpg</image:loc>
      <image:title>Blog - The Ground That Made Me: Faith, Place, and the Southern Intellectual Tradition - Make it stand out</image:title>
      <image:caption>Door at Old St. David’s Church in Cheraw, South Carolina — my home church, dating back to 1774. This photograph feels deeply connected to the heart of the post because it holds so much of what I mean by faith and place. The open door, the worn wood, the light spilling in, and the history beyond it all speak to the way the South carries memory. For me, this is not just an old church door. It is a threshold between past and present, between history and faith, between who I was and who God is still calling me to become. Like much of my photography, it is about listening to what a place still has to say.</image:caption>
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  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/at-the-gate-of-surrender</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/1aed8003-2e51-49ec-9c34-356de58391c6/YR0168096_Dante-and-Virgil-enter-hell-through-a-gate.jpg</image:loc>
      <image:title>Blog - At the Gate of Surrender - Make it stand out</image:title>
      <image:caption>Dante and Virgil stand before the gate of Hell, crossing from the world of human certainty into the terrifying mystery of divine judgment. The image captures the moment when Dante’s spiritual journey becomes unavoidable: to understand sin, suffering, and redemption, he must first descend into darkness.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/a86d6bc6-dee6-4fdf-a262-8c4a52f2b0fa/Portrait_de_Dante.webp</image:loc>
      <image:title>Blog - At the Gate of Surrender - Make it stand out</image:title>
      <image:caption>Dante Alighieri, the poet of the soul’s descent and return, reminds me that suffering is not always the end of the story. Sometimes the road to God begins in the places we least wanted to enter.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/on-a-dark-night-st-john-of-the-cross-and-the-grace-to-begin-again</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/3fb19a8f-6cf6-4ab2-88a0-e78b44fad16d/Zurbar%C3%A1n_%28atribuido%29-John_of_the_Cross-1656.jpg</image:loc>
      <image:title>Blog - “On a Dark Night”: St. John of the Cross and the Grace to Begin Again - Make it stand out</image:title>
      <image:caption>St. John of the Cross, attributed to Francisco de Zurbarán, 1656. Shown in the Carmelite habit and holding the crucifix, St. John is remembered as a mystic, poet, reformer, and Doctor of the Church whose writings gave enduring theological language to suffering, purification, darkness, and the soul’s longing for union with God (Wikimedia Commons, n.d.).</image:caption>
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  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/i-will-buy-the-flowers-myself</loc>
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    <lastmod>2026-05-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/e4872773-b9b0-43de-8ddd-20e85877df57/Mrs._Dalloway_cover.jpg</image:loc>
      <image:title>Blog - I Will Buy the Flowers Myself - Make it stand out</image:title>
      <image:caption>Mrs. Dalloway cover First-edition cover of Virginia Woolf’s Mrs. Dalloway, published in 1925, with cover art by Vanessa Bell. Like the novel itself, the image reflects the artistic world of modernism, where beauty, interior life, memory, and social performance meet on the page (Bell, 1925).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/385275ba-585d-4bec-bd30-143ff0f4054b/George_Charles_Beresford_-_Virginia_Woolf_in_1902_-_Restoration.jpg</image:loc>
      <image:title>Blog - I Will Buy the Flowers Myself - Make it stand out</image:title>
      <image:caption>Virginia Woolf, photographed by George Charles Beresford in 1902. This image captures Woolf as a young woman, long before her modernist fiction would reshape how readers understood memory, illness, consciousness, and the inner life(Beresford, 1902).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/salt-in-the-woundthe-terror-mesalt-dakins-solution-and-the-strange-mercy-of-healing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/69c477c5-f3c5-4016-935d-a80c0208f204/pexels-maria-petersson-1487092-4475232.jpg</image:loc>
      <image:title>Blog - Salt in the Wound:The Terror, Mesalt, Dakin’s Solution, and the Strange Mercy of Healing - Make it stand out</image:title>
      <image:caption>Salt may look simple, but it has always carried meaning, cleansing, preservation, healing, and faith. In my wound care journey, this image reminds me that even ordinary things can become instruments of grace when God uses them to help draw out what does not belong and make room for healing.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/the-call-i-can-no-longer-ignore</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/77212cc4-5868-40f5-8a11-34575b1d0139/dante-commedia-5.jpg.webp</image:loc>
      <image:title>Blog - Discerning the Call: Finding My Way with Dante Through Service, Faith, and the Road Toward Ministry - Make it stand out</image:title>
      <image:caption>In this image from Inferno, Dante grasps Bocca by the hair, forcing a confrontation with betrayal, truth, and moral accountability. For a reflection on discernment, the scene reminds us that the spiritual journey is not only about finding light, but also about facing the parts of ourselves and the world that must be named before we can move closer to God.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/when-the-prayer-sounds-like-an-aria-vissi-darte-and-the-dark-night-of-the-soul</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/93eea8d8-d85c-4ddb-9089-9a2f1b5eb49f/1Untitled.jpg</image:loc>
      <image:title>Blog - When the Prayer Sounds Like an Aria: Vissi d’arte and the Dark Night of the Soul - Make it stand out</image:title>
      <image:caption>This photograph feels like the place I am standing in right now, somewhere between shadow and hope, silence and survival. The faceless figures remind me of how suffering can strip life down until you barely recognize yourself, yet the light still falls across them, quietly insisting that beauty has not disappeared. Art has become one of the ways I speak when I do not have the words, a way to hold grief, faith, fear, and hope in the same frame. Even in the darkness, I am still creating, still feeling, still searching for the light.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.scholarsdn.com/blog/when-god-spoke-through-the-lens</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/1d4aef9b-b816-4e7d-bcee-4232b5e7cefc/_MG_5949.jpg</image:loc>
      <image:title>Blog - When God Spoke Through the Lens - Make it stand out</image:title>
      <image:caption>Beneath the moss-draped branches of Salem Black River Church in Mayesville, South Carolina, history and holiness seem to rest together. In this quiet place, the old brick walls, white columns, and filtered light remind me that sacred spaces do not simply preserve the past, they invite us to be still long enough to hear God speaking</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/141afa09-6f9e-4094-b3e1-d67cc1ab8a1c/P4270151_DxO-Edit.jpg</image:loc>
      <image:title>Blog - When God Spoke Through the Lens - Make it stand out</image:title>
      <image:caption>Framed by magnolia leaves, the stonework and sacred glass of Trinity Episcopal Cathedral in Columbia, South Carolina, rise like a quiet prayer. In this image, architecture becomes more than structure, it becomes invitation, calling the eye upward and the soul inward toward stillness, beauty, and God.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.scholarsdn.com/blog/two-doctors-at-the-foot-of-the-cross-edith-stein-faith-scholarship-and-the-work-of-being-wounded</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69f79439842be3655734aae4/0fce0f30-ed62-4d28-92a8-e8c2be6decb6/Edith_Stein_%28ca._1938-1939%29.jpg</image:loc>
      <image:title>Blog - Two Doctors at the Foot of the Cross, Edith Stein, Faith, Scholarship, and the Work of Being Wounded - Make it stand out</image:title>
      <image:caption>Figure 1 St. Teresa Benedicta of the Cross, Edith Stein, ca. 1938–1939. This photograph, often described as a passport photo, was taken before Stein moved from Cologne to Echt in the Netherlands. Stein was a philosopher, Discalced Carmelite nun, martyr, and saint whose life continues to shape my understanding of faith, scholarship, suffering, and vocation. Note. Photograph from Wikimedia Commons (n.d.).</image:caption>
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